Paul Moxon

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Paul Moxon is a studio letterpress printer and editor of the American Printing History Association Newsletter. He is an authority on the maintenance and history of Vandercook presses and is a visiting instructor at many public and academic studios nationwide, including the Center for Book Arts, Columbia College, University of Iowa, Penland School of Crafts and the University of Tampa. He prints for hire and publishes limited edition books and broadsides under the imprint Fameorshame Press. This work is included in several public and private collections.

Click to see a list of workshops Paul is teaching.

Zines & Hatch Show Prints

Three New Exhibitions at Asheville BookWorks / May 10 – July 7

Two Zine Exhibitions

During May and June, there will be two different Zine Exhibition in the BookWorks Gallery and over 25+ Hatch Show Prints on the perimeter walls of the letterpress studio. The first of two zine shows has been installed. Zines from the collections of Jessica White and Hollis Fouts will be up through Wednesday, May 25. On Wednesday May 18 at 6 PM, Hollis Fouts will do a gallery walkabout.

On Saturday, May 28, there will be a reception to open the second Zine Exhibit with an artist talk by Emily Larned at 6:30 PM. Emily’s talk, also the title of the show, “SPLITS, TRADES, REVIEWS, & DISTROS: ZINE CULTURE AS MODEL,” was recently presented at the College Book Arts Association in January. This show will be up through July 7, 2011.

Zines are independent publications that are primarily exchanged through trade or at a minimum cost. Historically zines were B & W cut and paste and have evolved to include all forms of printing and reproduction. Zine culture started hitting the main stream in the early 80’s with the availability of ready access to copiers.

Styles range from crayon drawings to B & W cut and paste, to screenprinted and letterpress examples. Many have inserts, attachments, interesting construction and all reflect a personal vision. Throughout, the message remains with the individual.

The art and excitement of collecting zines is sharing these underground communications. You either know the people who have made them or you are interested in the subject matter.

Hatch Show Prints

“Advertising without posters is like fishing without worms.”-       The Hatch Brothers

Hatch Show Prints is an historically significant letterpress shop started in Nashville in 1879 by Charles and Herbert Hatch. Today it is part of the Country Music Hall of Fame under the direction of Jim Sherradan. Jim curated a selection of 25+ prints for Asheville BookWorks that will be on display May 10 – July 7.

Excerpts from the ‘Hatch Show Prints’ website:

“If you follow music, art, and culture of the American South, sooner or later you’re bound to run into the letters, images, and unmistakable “look” of Hatch Show Print. They’re one of the oldest working letterpress print shops in America, and over the years their posters have featured a host of country music performers, ranging from Country Music Hall of Framers Hank Williams, Bill Monroe, and Johnny Cash to contemporary stars such as Garth Brooks and Wynonna.”

“Just as eye-catching are the “bread and butter” posters, the small jobs for filling stations, laundries, grocery stores, and movie theaters. This openness to the sheer breadth of southern culture and advertising helped Hatch Show Print survive the comparatively lean years that followed the death of Will Hatch. While letterpress printmakers found it hard to compete in the more modern, faster age of offset printmaking, Hatch turned to country music and other “old faithfuls” for continued support, while embracing newer forms of entertainment such as all-star wrestling and rock & roll.”

“We’ve done it all without losing that irresistible appeal of turn-of-the-century Hatch posters, which were used to promote vaudeville, circus, and minstrel shows across the country. There’s a reason why music lovers, Americana buffs, graphic arts collectors and designers, and commercial advertisers of all persuasions continue to turn to Hatch for inspiration. We are, indeed, a tonic for the information age.”

http://www.youtube.com/watch?v=Pniaea9CsBY video with Jim Sherradan in the Hatch letterpress shop, featuring the infamous Hatch Cats!

http://countrymusichalloffame.org/our-work/ main website for Hatch Show Prints

Public is Welcome.  See you in the Studio! Laurie Corral

Albums

Example of Album we'll be Making. Image from Bookcraft, by Heather Weston

November 15, 22 & 29, December 6
Tuesdays 6:00 pm-9:00 pm
Bridget Elmer, Instructor
$165

Just in time for the holidays, this class will provide students with all of the skills necessary to make their own handmade albums. Using the post binding, students will prepare text blocks of resilient paper and add hard covers wrapped with their choice of book cloth. Decorative papers will be integrated as end-sheets and paste-downs, and students will learn how to emboss book board in preparation for adding inclusions to their album covers, such as labels, photographs and found objects. Upon conclusion of the class, students will walk away with a completed album of their own making, which can serve as a wonderful gift–whether filled with photos and ephemera or left blank and waiting to be filled! No prerequisite. All levels welcome.
Please Bring:
  • Strong paper for album pages (Mohawk superfine and Velata available for purchase at BookWorks)
  • Decorative papers for end-sheets and past-downs
  • Book cloth
  • Book board (available for purchase at BookWorks)
  • Japanese screw punch OR adjustable multi-hole punch OR hand-held hole punch
  • Binding screw posts to match width of punch
  • Bone folder
  • Pencil
  • White eraser
  • Glue brush, round with non-synthetic bristles
  • Ruler with inch/millimeter measurements (best if measures to edge)
  • Small steel triangle and L-square
  • Paper knife (clay fettling or non-serrated table knife)
  • Scissors (must cut to tip)
  • Olfa or X-acto knife with blades
  • Self-healing mat
  • Wax paper
  • PVA (poly-vinyl acetate)
  • Methyl cellulose
  • Apron

Nov. 15 Albums

$165.00

Dates:
Tuesdays: Nov. 15, 22,29, Dec. 6, 2011
Time:
6:00 – 9:00 pm

New Date for PAPER AS NARRATIVE

On Saturday, May 28, 9 – 4 PM, JESSICA PETERSON will be visiting from Gordo, AL to teach Paper as Narrative at BookWorks.

In the papermaking studio, we’ll be considering how to make and use paper as a component of your book’s narrative, instead of simply a substrate for text and image.

This affordable, one day class, $123 material fee included, is for both beginners and people who have papermaking experience. Of great valuable for all book artists and printmakers as we ask ourselves questions about integration of ideas, materials and techniques in the creative process.

Jessica is also teaching The BOOK as ORAL HISTORY on April 16 and 17, 2011. Another great idea! Follow the links above for more information and to register on-line.

Screenprinting : Sculptural Installation and Alternative Surfaces

One or more of the following Pre-requisites: Screenprinting : Part 1 (stencils), Part 2 (drawing fluid), or Part 3 (Photochemical)

May 14 and 15, Saturday and Sunday, 10 – 5 PM   new class
$225, includes a $15 materials fee
Instructor, Daniel Maw

Part 4 of this 4 part series is intended to force you to look beyond printmaking as a flat, still medium.  Instead we are going to use printmaking as a means to generate an arsenal of printed fodder to create a 3D installation or object.  Avoid printing a single piece that is complete on its own and consider working modularly so that different components can come together to make a larger whole.  Make use of pattern and repetition, ensuring the individual prints are well integrated and the imagery is intentional/essential.  Also consider an appropriate place to install your piece that speaks to its purpose.  Consider the characteristics of a site in terms of its purpose, public/private nature, sound, smell, traffic, lighting, etc. The suggested theme we will be working with is open.

Course Description

Learn one of the most versatile and home-friendly printmaking techniques around.  Screenprinting requires no dangerous solvents or expensive printing presses.  You will learn how to prepare and create stencils both by hand and through a photochemical process.  In addition to creating hand-rendered imagery, you will learn how to prepare images digitally by way of scanning into and manipulating with Adobe Photoshop and Illustrator.  We will create repeatable editions and unique singular pieces of art as well. Experiment with printing on traditional paper surfaces and non-traditional surfaces such as wood, vinyl, textiles, or a wall in your home!  The course is great for beginners and experienced printers, alike.

Students Provide:

Sketchbook, Exacto knife, #11 blades, Various size brushes and drawing materials, Bleach or bleach-based toilet cleaner (liquid), 1-2 spatulas, Apron, Set of 2 quarter-inch round registration pins, 1 roll of clear packing tape, 12 oz. bottle of baby oil, 24 x 36 inch 5 mm acetate, Black Sharpie, Old plastic card (for coating screens with emulsion), 23 x 31 inch silkscreen, approximate size (If you don’t have one, BookWorks has some to use), Two Sponges, Water Bowl, Pair of Scissors, Newsprint (22 x 30 inch pad of 100 – for proofing prints), Printmaking Paper (instructor will suggest a few papers for printing).

May 14, Screenprinting, Sculptural

$225.00

Dates:
May 14 and 15, 2011
Time:
Saturday and Sunday 10 – 5 PM