Innovative Printmaking on Handmade Paper: September 13 through October 18, 2010
Pulp Painting: Beyond the Squeeze Bottle: October 16-17, 2010, 9:00–5:00 p.m.
Innovative Printmaking on Handmade Paper, the sixth portfolio in a series, will be on display at Asheville BookWorks the week of September 13th through the week of October 18th. The traveling exhibition includes 20 prints juried by the national non-profit organization Hand Papermaking, Inc. The collection incorporates a wide variety of printmaking techniques— traditional, contemporary, and experimental—while emphasizing the equal importance of printed image and paper.
Whether done by individual artists or as collaborations between papermakers and printmakers, these innovative prints reflect a successful marriage of print and paper. The handmade paper is not simply a substrate; it is inherent in the artwork. The printmaking techniques represented include etching, woodblock, chine collé, linocut, digital inkjet, silkscreen, monotype, lithography, pochoir, aquatint, and letterpress. The papermaking techniques include watermarking, pulp painting, double couching, and overbeating; with fibers such as cotton, linen, abaca, hemp, kozo, flax, and sea grass.
Brooklyn artist Shannon Brock will conducting a paper pulp painting class October 16-17, 2010, 9:00–5:00 p.m. at Asheville BookWorks. The two-day workshop, Pulp Painting: Beyond the Squeeze Bottle, will explore image making in hand papermaking. Using multiple moulds and vats of pigmented pulp, along with contact paper, dental syringes, paintbrushes and squeeze bottles, participants will develop images by layering and overlapping thin veils of pulp. Basic paper sheet formation and pigmenting will be reviewed.